{"id":49,"date":"2022-06-10T12:01:22","date_gmt":"2022-06-10T12:01:22","guid":{"rendered":"http:\/\/tezhib.tasavvuf.name\/?p=49"},"modified":"2022-07-08T08:40:22","modified_gmt":"2022-07-08T08:40:22","slug":"tezhib","status":"publish","type":"post","link":"http:\/\/tezhib.tasavvuf.name\/?p=49","title":{"rendered":"TEZH\u0130B NED\u0130R?"},"content":{"rendered":"

\u201c <\/span><\/em><\/b><\/p>\n

…<\/span><\/em><\/b><\/p>\n

T<\/span>ezhib ,<\/span> ruhun Allah\u2019a do\u011fru ak\u0131\u015f\u0131n\u0131 \u201cbillurla\u015ft\u0131r\u0131r\u201d
\nve Allah Kelam\u0131\u2019n\u0131n kutsal varl\u0131\u011f\u0131ndan ortaya \u00e7\u0131kan
\nruhun yeniden b\u00fct\u00fcnle\u015fmesinde bizzat yard\u0131mc\u0131d\u0131r.
\n<\/span>T<\/span>ezhib <\/span>, kutsal metnin okunmas\u0131ndan ortaya \u00e7\u0131kan
\nmanev\u00ee enerjinin g\u00f6rselle\u015fmesini m\u00fcmk\u00fcn k\u0131lar;
\nb\u00f6ylelikle o, sayfan\u0131n kenar\u0131nda bulunurken,
\nhatt bizzat metni olu\u015fturur.
\n<\/span>T<\/span>ezhib<\/span>, Kutsal Kelam\u2019\u0131 \u00e7evreleyen h\u00e2le ve
\nNur\u2019un Kelam\u2019\u0131 olan Kelimenin varl\u0131\u011f\u0131n\u0131 olu\u015fturan nur gibidir.
\n<\/span><\/em><\/b><\/p>\n

…<\/span><\/em><\/b><\/p>\n

\u201d<\/span><\/em><\/b><\/p>\n

Prof.Dr.Seyyid H\u00fcseyin Nasr<\/span><\/em><\/b><\/p>\n

***<\/b><\/span><\/em><\/p>\n

T<\/span>EZH\u0130B<\/span><\/b><\/i><\/p>\n

\"\"<\/span><\/p>\n

Tezhib s\u00f6zc\u00fc\u011f\u00fc Arap\u00e7a’da \u201calt\u0131nlama\u201d anlam\u0131na gelir. Kelimenin k\u00f6k\u00fc olan “ze-he-be” Arab\u00e7a’da alt\u0131n anlam\u0131ndad\u0131r. Bununla beraber tezhib yaln\u0131z alt\u0131nla de\u011fil g\u00fcn\u00fcm\u00fczde boya ile de yap\u0131lmaktad\u0131r. Bug\u00fcn genellikle uygulanan teknikler alt\u0131n ve boyan\u0131n terkibine dayanmaktad\u0131r. Tezhib sanat\u0131 ge\u00e7mi\u015fte daha \u00e7ok el yazmas\u0131\u00a0 de\u011ferli kitab sayfalar\u0131n\u0131 s\u00fcslemekte kullan\u0131l\u0131rken bug\u00fcnk\u00fc uygulamalar daha \u00e7ok\u00a0 hat levhalar\u0131nda yaz\u0131n\u0131n etraf\u0131n\u0131\u00a0 s\u00fcslemede dekoratif maksat ile kullan\u0131lmaktad\u0131r.<\/b><\/span><\/p>\n

Tezhib do\u011fuda oldu\u011fu kadar bat\u0131da da uygulama alan\u0131 bulmu\u015f bir sanatt\u0131r. \u00d6zellikle orta\u00e7a\u011fda H\u0131ristiyanlar\u0131n kutsal metinlerini, dua kitaplar\u0131n\u0131 s\u00fcslemede yo\u011fun bi\u00e7imde kullan\u0131lm\u0131\u015ft\u0131r. Ama zaman i\u00e7erisinde kitaplarda da resim \u00f6ne \u00e7\u0131km\u0131\u015f, tezhib yaln\u0131zca ba\u015fl\u0131klardaki b\u00fcy\u00fck harfleri s\u00fcslemekle s\u0131n\u0131rl\u0131 kalm\u0131\u015ft\u0131r.<\/b><\/span><\/p>\n

T\u00fcrkler’de tezhibin ge\u00e7mi\u015fi Uygurlar’a kadar uzan\u0131r. Mani dininin Uygurlar aras\u0131nda yay\u0131ld\u0131\u011f\u0131 9. y\u00fczy\u0131lda tezhib sanat\u0131 da g\u00f6r\u00fclmeye ba\u015flanm\u0131\u015ft\u0131r. Bu d\u00f6nemde \u0130slam \u00fclkelerinde de tezhib yayg\u0131n bir sanatt\u0131. Anadolu’ya Sel\u00e7uklular’\u0131n getirdi\u011fi tezhib sanat\u0131, en geli\u015fkin d\u00f6nemini Osmanl\u0131 Devleti zaman\u0131nda ya\u015fam\u0131\u015ft\u0131r.<\/b><\/span><\/p>\n

\u00d6te yandan 15. y\u00fczy\u0131lda M\u0131s\u0131r’da Meml\u00fbk sanat\u00e7\u0131lar\u0131 ayr\u0131 bir \u00fcslup geli\u015ftirmi\u015fler, ayn\u0131 d\u00f6nemde \u0130ran’da ve ard\u0131ndan Timurlular’\u0131n egemen oldu\u011fu Herat, Hive, Buhara, Semerkand gibi merkezlerde tezhib sanat\u0131 b\u00fcy\u00fck geli\u015fme g\u00f6stermi\u015ftir. Herat’ta geli\u015ftirilen \u00fcslup daha sonra da \u0130ran tezhib sanat\u0131n\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkilemi\u015ftir.<\/b><\/span><\/p>\n

Osmanl\u0131 sanat\u00e7\u0131lar\u0131 da 15.-16. y\u00fczy\u0131llarda \u0130ran’la artan ili\u015fkiler sonucunda Herat Okulu’nun bir\u00e7ok \u00f6zelli\u011fini eserlerinde kullanm\u0131\u015f, yeni terkiblere ula\u015fm\u0131\u015flard\u0131r. 18. y\u00fczy\u0131lda Osmanl\u0131 \u00fclkesinde klasik tezhib sanat\u0131 gerilemeye y\u00fcz tutmu\u015f, klasik motiflerin yerini Bat\u0131 sanat\u0131n\u0131n etkisiyle kaba s\u00fcslemeler almaya ba\u015flam\u0131\u015ft\u0131r. 19. y\u00fczy\u0131lda ise mimaride bask\u0131n hale gelen\u00a0 bat\u0131 etkisi tezhibe de t\u00fcm a\u011f\u0131rl\u0131\u011f\u0131 ile yans\u0131m\u0131\u015ft\u0131r. Bu d\u00f6nemde , klasik sanat eserlerinde\u00a0 tek tek\u00a0 kullan\u0131lan \u00e7i\u00e7ek motifleri vazolar, saks\u0131lar i\u00e7inde buketler halinde g\u00f6r\u00fcl\u00fcr olmu\u015f; tezhibin asalet ve \u00f6zg\u00fcnl\u00fc\u011f\u00fc yitirilmi\u015ftir.<\/b><\/span><\/p>\n

G\u00fcn\u00fcm\u00fczdeki tezhib sanat\u00e7\u0131lar\u0131 ise yeniden klasik d\u00f6nem tezhibine d\u00f6nerek bu e\u015fsiz sanat\u0131 asliyetine uygun bir \u00e7izgide yeniden canland\u0131rm\u0131\u015flard\u0131r.<\/strong><\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c … Tezhib , ruhun Allah\u2019a do\u011fru ak\u0131\u015f\u0131n\u0131 \u201cbillurla\u015ft\u0131r\u0131r\u201d ve Allah Kelam\u0131\u2019n\u0131n kutsal varl\u0131\u011f\u0131ndan ortaya \u00e7\u0131kan ruhun yeniden b\u00fct\u00fcnle\u015fmesinde bizzat yard\u0131mc\u0131d\u0131r. Tezhib , kutsal metnin okunmas\u0131ndan ortaya \u00e7\u0131kan manev\u00ee enerjinin g\u00f6rselle\u015fmesini m\u00fcmk\u00fcn k\u0131lar; b\u00f6ylelikle o, sayfan\u0131n kenar\u0131nda bulunurken, hatt bizzat metni olu\u015fturur. Tezhib, Kutsal Kelam\u2019\u0131 \u00e7evreleyen h\u00e2le ve Nur\u2019un Kelam\u2019\u0131 olan Kelimenin varl\u0131\u011f\u0131n\u0131 olu\u015fturan nur …<\/p>\n","protected":false},"author":1,"featured_media":167,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[],"class_list":["post-49","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-manset"],"_links":{"self":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49"}],"version-history":[{"count":7,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":771,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions\/771"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/media\/167"}],"wp:attachment":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}