{"id":530,"date":"2018-11-12T08:52:02","date_gmt":"2018-11-12T08:52:02","guid":{"rendered":"http:\/\/tezhib.tasavvuf.name\/?p=530"},"modified":"2018-11-12T12:34:40","modified_gmt":"2018-11-12T12:34:40","slug":"tezhib-kompozisyonlari","status":"publish","type":"post","link":"http:\/\/tezhib.tasavvuf.name\/?p=530","title":{"rendered":"TEZH\u0130B KOMPOZ\u0130SYONLARI"},"content":{"rendered":"<p><strong><em><span style=\"font-size: 36px; font-family: Garamond;\">Tezhipte <\/span><\/em><\/strong><\/p>\n<p><strong><em><span style=\"font-size: 36px; font-family: Garamond;\">Kompozisyon <\/span><\/em><\/strong><\/p>\n<p><strong><em><span style=\"font-size: 36px; font-family: Garamond;\">D\u00fczenlemeleri <\/span><\/em><\/strong><\/p>\n<p><strong><em><span style=\"font-size: 36px; font-family: Garamond;\">ve <\/span><\/em><\/strong><\/p>\n<p><strong><em><span style=\"font-size: 36px; font-family: Garamond;\">S\u00fcsleme \u00dcsl\u00fbplar\u0131<\/span><\/em><\/strong><\/p>\n<p>Tezhipte kompozisyon d\u00fczenlemeleri serbest olabilece\u011fi gibi tek eksenli \u00bd simetrik<br \/>\nveya birden fazla simetri eksenine dayanan karma kompozisyon ve \u00bd rumi<br \/>\nkompozisyon olmak \u00fczere \u00e7e\u015fitlendirilmektedir. Tezhip sanat\u0131n\u0131n yap\u0131ld\u0131\u011f\u0131 k\u00fclt\u00fcre<br \/>\ng\u00f6re farkl\u0131 \u00fcsluplar\u0131 mevcuttur. Bunlar\u0131n i\u00e7erisinde Osmanl\u0131 d\u00f6nemi a\u00e7\u0131s\u0131ndan<br \/>\nbakt\u0131\u011f\u0131m\u0131zda Baba Nakka\u015f \u00fcsl\u00fbbu, H\u00e2lkar \u00fcsl\u00fbbu, Sazyolu \u00fcsl\u00fbbu ve Barok &#8211; Rokoko<br \/>\n\u00fcsl\u00fbbu olmak d\u00f6rt farkl\u0131 \u00fcslup \u00e7e\u015fidi kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.<\/p>\n<p><em><strong>Baba Nakka\u015f<\/strong> <\/em>\u00fcslubu genellikle iri bir \u015fekilde olabildi\u011fince ayr\u0131nt\u0131l\u0131 olarak \u00e7izilmi\u015f<br \/>\nhatai motiflerinin yan\u0131nda yer yer aralar\u0131na k\u00fc\u00e7\u00fck bulutlar\u0131n serpilerek, sade, minik<br \/>\nyapraklar\u0131n kullan\u0131ld\u0131\u011f\u0131 ve \u00fcstlerine d\u00f6nen yaprak bi\u00e7imleri ile \u00fc\u00e7 boyutlu hissi veren<br \/>\ntasar\u0131mlard\u0131r (Derman, 2012, s.66).<\/p>\n<p><em><strong>H\u00e2lkar<\/strong> <\/em>\u00fcslubu alt\u0131n yald\u0131zl\u0131 i\u015f anlam\u0131na gelmektedir. Tamamen alt\u0131n ile<br \/>\nyap\u0131lmaktad\u0131r. Ama yer yer alt\u0131nl\u0131 ve alt\u0131ns\u0131z da yap\u0131lm\u0131\u015f oldu\u011fu g\u00f6zlemlenmi\u015ftir.<br \/>\nHalkar her renkte k\u00e2\u011f\u0131t \u00fczerine yap\u0131labilir sadece dikkat edilmesi gereken nokta<br \/>\nk\u00e2\u011f\u0131d\u0131n kal\u0131n ve aharl\u0131 olmas\u0131d\u0131r. \u00c7\u00fcnk\u00fc \u00e7ok emici k\u00e2\u011f\u0131tlarda g\u00f6lge veremeyece\u011fi<br \/>\ni\u00e7in iyi sonu\u00e7lar elde edilmemektedir (Ersoy, 1988, s.14).<\/p>\n<p><em><strong>Sazyolu<\/strong><\/em> \u00fcslubu \u015fah kulunun Kanuni Sultan S\u00fcleyman d\u00f6neminde olu\u015fturdu\u011fu<br \/>\nolduk\u00e7a iri, dolgun bir \u015fekilde \u00e7izilmi\u015f oldu\u011fu yaprak ve \u00e7i\u00e7eklerin k\u0131vr\u0131lma ve<br \/>\nk\u0131lmalar\u0131yla birbiri i\u00e7erisinden ge\u00e7er bir hal verilerek bir orman hissi uyand\u0131racak<br \/>\ntarzda stilize etmi\u015f olmas\u0131d\u0131r (Balc\u0131, 2016, s.7).<\/p>\n<p><em><strong>Barok rokoko<\/strong> <\/em>\u00fcslubu bat\u0131n\u0131n ortaya \u00e7\u0131kard\u0131\u011f\u0131 de\u011fi\u015fim ve geli\u015fmeler sonucunda<br \/>\nmeydana gelen barok ampir ve rokoko sanat ak\u0131mlar\u0131 d\u00f6nemin T\u00fcrk sanat\u0131 ile<br \/>\nharmanlanarak ana karakterlerini korumak suretiyle T\u00fcrk rokoko ad\u0131 ile yeni bir<br \/>\n\u00fcslubu ortaya \u00e7\u0131karm\u0131\u015ft\u0131r. \u00d6zellikle 19. yy ile birlikte tamamen motif h\u00e2kimiyetinin<br \/>\nbitkisel kompozisyonlar\u0131n oldu\u011fu, hatta nat\u00fcrmort kavram\u0131 e\u015fli\u011finde vazolar\u0131n ve<br \/>\nfiyonklar\u0131n oldu\u011fu bir tablo gibi ele al\u0131nd\u0131 bir uygulama olmu\u015ftur (Akar ve Keskiner,<br \/>\n1978, s.21).<\/p>\n<p><strong>KAYNAK: Nurhan B\u00f6y\u00fcky\u0131lmaz, Y\u00fcksek Lisans Tezi, s.65\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tezhipte Kompozisyon D\u00fczenlemeleri ve S\u00fcsleme \u00dcsl\u00fbplar\u0131 Tezhipte kompozisyon d\u00fczenlemeleri serbest olabilece\u011fi gibi tek eksenli \u00bd simetrik veya birden fazla simetri eksenine dayanan karma kompozisyon ve \u00bd rumi kompozisyon olmak \u00fczere \u00e7e\u015fitlendirilmektedir. Tezhip sanat\u0131n\u0131n yap\u0131ld\u0131\u011f\u0131 k\u00fclt\u00fcre g\u00f6re farkl\u0131 \u00fcsluplar\u0131 mevcuttur. Bunlar\u0131n i\u00e7erisinde Osmanl\u0131 d\u00f6nemi a\u00e7\u0131s\u0131ndan bakt\u0131\u011f\u0131m\u0131zda Baba Nakka\u015f \u00fcsl\u00fbbu, H\u00e2lkar \u00fcsl\u00fbbu, Sazyolu \u00fcsl\u00fbbu ve Barok &#8211; &#8230;<\/p>\n","protected":false},"author":3,"featured_media":551,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,12,13],"tags":[],"class_list":["post-530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tezhib-sanati","category-tezhib-teknikleri","category-terim"],"_links":{"self":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts\/530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=530"}],"version-history":[{"count":3,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts\/530\/revisions"}],"predecessor-version":[{"id":542,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/posts\/530\/revisions\/542"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=\/wp\/v2\/media\/551"}],"wp:attachment":[{"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=530"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tezhib.tasavvuf.name\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}